I grew up in a town in Northern Michigan that had very
little diversity. A predominately white town, which led to my high school of
about 1,500 students being predominately white. We had a thriving music
department, and so my choir director liked to do new and popular shows for our
musical every year. My senior year, he chose Aida. It is a rock musical, set in Africa, about a Nubian princess,
Aida, who is captured and enslaved by Egyptians. Aida and the Egyptian Captain
fall in love, though he is engaged to the Egyptian Princess. An interesting
choice for our group. We had a big enough group that the show was double cast.
However, even though we had a very large group, we only had three African
American students. Two of them were sisters, and they both played Aida. The
rest of the Nubians were played by white students, including Aida’s father, the
Nubian King. Imagine a group of white high school students from Northern
Michigan singing The Gods Love Nubia.
Here is a clip of it, if you are unfamiliar with the musical:
We did NOT do black face, thank God. But we were told to use
bronzer, and most of us wore scarves over our hair. Even as a high school
student, not immersed in a diverse culture, the choice of this musical seemed a
bit absurd. Now looking back on it, it was not just a bit of absurd; it was
absolutely ridiculous. Our version had to be color-blind cast, because we
simply didn’t have the choice. I take that back, there was a choice: we
shouldn’t have done it. It is a great musical, and we gave it as much heart and
soul as we, a bunch of angsty white teenagers from Northern Michigan, could, but
don’t do it unless you have all the people to pull it off. It was a color-blind
casting gone wrong!
With
that being said, I think there are many examples of successful color-blind
casting. I think Shakespeare is a great example of this. There is a lot of
freedom to play with Shakespeare: color-blind casting, gender-bending,
switching time periods. Which is why I think Shakespeare is still done so
often; his plays often deal with issues that are still relevant and are issues
that cross barriers of race, heritage, struggle, and time. Romeo and Juliet is a wonderful example of a play that almost begs
to be color-blind cast. Originally set in Verona with two feuding Italian
families, but for most of us now-a-days, two feuding Italian families doesn’t
really hit home. It is a still a heart wrenching, tragic story, but moving that
feud to something closer to home allows the story to have significantly more
impact. Aida, mentioned above, is a Romeo and Juliet like story between
Nubians and Egyptians. West Side Story
is a contemporary musical version of R&J pitting a white gang and a Puerto
Rican gang in New York against each other. What would hit closest down here in
the South? What would the reaction be to a version of R&J set during the
Civil Rights Movement with the Montagues and Capulets divided black and white?
An age-old play can have very different affects when brought into a new
context, especially when that context is very much a part of our country’s
history.